Shubh Mangal Saavdhan Review

Tamil filmmaker, R S Prasanna, heads to B-town with his debut Hindi feature Shubh Mangal Saavdhan, which is a remake of Prasanna’s 2013 Tamil movie Kalyana Samayal Sadhan. A rom-com at heart, the movie deals with the issue of erectile dysfunction, a growing concern among the young office-going population in urban centres.

I went into the theatre with very little expectation and with a very basic idea (as much I as could glean from the trailers) about the movie. And I am glad to say it didn’t disappoint. In fact, even if I had gone with a bit of expectation, given the effective pairing of Ayushmannn Khurrana and Bhumi Pednekar (Dum Laga Ke Haisha) and the fact that it has been produced by Anand L Rai, there is not a lot to be disappointed with in the movie.

Shubh Mangal Saavdhan tells the story of Mudit (Khurrana), who falls for Sugandha (Pednekar) and is soon (in a matter of a few funny scenes and probably a song) engaged to her. There is not much in way of complication for the two (unless you count Sugandha’s “na-mein-haan” or whatever logic) until one night in the absence of Sugandha’s family, they discover in the heat of a novice sexual encounter that nothing else apart from awkwardness rises. What follows is Mudit and Sugandha’s humorous yet determined attempt at getting married despite external and internal impediments.

Most of the humour in the movie comes from the fact that it is strangely nostalgic in the use of innuendos, at least in spirit (remember flowers making out?). While the innuendos are not that shy, they do not reach the vulgarity of Pahlaj Nihalani’s “Khada hai” song. The innuendos range from giggle-evoking to the absurd AIBish manhood analogies. Besides it also offers humour on the meta level – Vicky Donor. But what makes the film really worthy of a watch is its criticism of how society sees masculinity. And although the movie suffers from a lackluster final act, it is nevertheless highly entertaining, thanks to strong performances from the leads and the supporting cast and humour (bodering on the absurd and at times threatening to throw it off the rails), which mostly works in its favour.

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